When I last spoke to Nicole Reigel for Filmmaker, it was in 2014 to profile the Jackson, Ohio native for our 25 New Faces list. After a stint in the military and then time producing her own plays for theater, Riegel had arrived in Los Angeles and quickly made a name for herself as a screenwriter, with directors such as Cary Fukunaga and Justin Lin on board for her scripts. But her ultimate goal, she revealed in the piece, was to direct — an ambition realized this year with her flinty, tremendously assured and compellingly acted debut, Holler. Selected for […]
by Scott Macaulay on Sep 11, 2020During his career, George Cukor was often referred to as a “women’s director” for his facility with foregrounded female performers: Katharine Hepburn in no less than 10 collaborations, Jean Simmons in The Actress, the women in The Women. By that logic, Paul Feig is our Cukor: beginning with Bridesmaids (since we’ve confined I Am David and Unaccompanied Minors to the rubble of collective amnesia), he’s established himself as a specialist in female-led comedy, following up with The Heat and now Spy. In interviews prior to Bridesmaids‘ release, he mused that the film better not bomb or he’d have messed it up for women in comedy for decades. If none […]
by Vadim Rizov on Jun 4, 2015From April 11-16th, more than 100,000 tech heads and industry professionals will descend upon Las Vegas to gorge themselves on the latest cameras, lights and gadgets at the annual NAB Show. Nestled among this digital idolatry, you’ll find at least one psalm to the archaic when cinematographer Robert Yeoman takes the stage to talk the miniatures, stop-motion animation and 35mm photography of The Grand Budapest Hotel. Yeoman will be featured as part of NAB Show’s Creative Master Series on April 13th in a conversation with American Cinematographer managing editor Jon Witmer titled “Checking into The Grand Budapest Hotel.” Sponsored by […]
by Matt Mulcahey on Apr 8, 2015