It grows more difficult with each passing edition to assent to the standard line that the Wavelengths program is a small clearing for artistic purity amidst a shrill, militaristically corporate environment. This has nothing to do with Andréa Picard’s curation—as deft and illuminating this year as any in the decade I’ve attended the Toronto International Film Festival—and everything to do with ongoing shifts in the social and institutional situations of artists interested in making work whose form is other than that of the commercial narrative feature. Shifts within the institutional priorities of the festival itself have required that Picard take […]
by Phil Coldiron on Sep 8, 2019Two years ago, the Miami Herald was worried: “Will Zika, election spoil Art Basel in Miami Beach 2016?” With South Beach’s art deco district smack in the middle of one of the Department of Health-designated “transmission zones,” it seemed like the deadly virus spread by mosquitoes and Trump’s recent presidential win might put a damper on the party. Now this year, Pedro Neves Marques’s A Mordida (The Bite) — the filmmaker, writer and visual artist’s first U.S. museum solo show, which opened December 4 at Pérez Art Museum Miami — puts Zika and rising Far Right sentiment in conversation, suggesting […]
by Whitney Mallett on Dec 19, 2018