With many viewers struggling with subscription-itis — a costly overload of SVOD memberships that inflate credit card bills at the end of each month — it’s no wonder that the so-called FAST (free ad-supported streaming television) channels are taking off in popularity. For filmmakers, these channels offer a new revenue stream, and for viewers not only no-cost entertainment but the chance to discover many titles that for whatever market-based reasons aren’t streamable on Netflix, Amazon Prime or Criterion. Filmmaker‘s Web Editor, Natalia Keogan, and I took a look through the current offerings of the most well-recognized FAST channel, Tubi, to […]
by Natalia Keogan and Scott Macaulay on Jul 16, 2023Dustin Guy Defa is on the cusp of big changes. The filmmaker’s second feature film, Person To Person, opens tomorrow. In it, Defa delicately interweaves multiple stories taking place over one day in the lives of New Yorkers portrayed by an ensemble of legendary performers (Phillip Baker Hall, Isiah Whitlock Jr.), name actors (Michael Cera), newcomers (Abbi Jacobson, Tavi Gevinson, George Sample III), and so-called “non-actors” (Bene Coopersmith). It’s a bighearted, hilarious and impressive display of Defa’s directorial skills and the kind of film that can jump start a career. The road to getting it made is a bit unusual. […]
by Peter Rinaldi on Jul 27, 2017For a few weeks now I’ve been preemptively writing bad ledes for Sundance write-ups/reviews in my head. Such as: “In the age of Trump, do independent films matter? Yes — now perhaps more than ever.” “Can independent film lead the resistance? It can, and it must.” “The spectacle of the Sundance Film Festival sits strangely against the much more lavish pageantry of the Trump inauguration, let me frame every single write-up through this lens.” “Can documentaries make an impact in the post-truth era?” And so on and so on, quite satisfactorily, with the illusion of topicality thinly sustained. If you […]
by Vadim Rizov on Jan 21, 2017