Peter Greenaway
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Complicated Grief: Ari Aster on Hereditary‘s Family Nightmare
There are films that scare you, and then there are films that do something more. The former are easy to name—maybe you remember a particular jump scare or chilling scene—but the latter are more difficult to describe. These are films that dig deep into your subconscious, films that identify a weakness or fear and prey upon that with their cinematic imagination. You’ll remember scenes from these movies in detail, too, but also how old you were, and where you were, and what was going on in your life when you saw them. You’ll remember how they made you feel, and […]
by Scott Macaulay on Jun 11, 2018 -
“I Argue that Cinema is Either Dying or Dead”: Peter Greenaway on Making Eisenstein in Guanajuato
“I argue that cinema is either dying or dead — it’s certainly changing very rapidly — so maybe now is the time to make a film about the greatest cinematic practitioner.” Peter Greenaway’s Eisenstein In Guanajuato — focusing on 10 days out of the 14 months Sergei Eisenstein spent in Mexico shooting what would eventually be edited into ¡Que viva México! — is one of the more keenly anticipated titles premiering at this year’s Berlinale. Above is the first of a three-part documentary on the film’s production from Mexico’s IMCINE (the national film financing/production agency). There are two brief bits in Spanish; the […]
by Vadim Rizov on Feb 4, 2015 -
Stray Links, 8/11-8/14: Film Preservation in China, Ferguson, and the Weight Watchers Recipes of 1974
Here’s this week’s round-up of reading, film-related and otherwise: • “Trying to make a film in Sub-Saharan Africa can be a financial and logistical feat, but getting it to audiences can be an even bigger task. A networking event at the Locarno Film Festival is a chance for African film-makers to make their project come to life.” Jo Fahy reports from Locarno on the Open Doors Lab, which brings 12 filmmakers from continental Africa to the festival to receive script mentoring, apply for Swiss funding and more. • Peter Greenaway has completed shooting one film about Sergei Eisenstein, which he’s […]
by Vadim Rizov on Aug 14, 2014 -
Peter Greenway, Rembrandt’s J’Accuse
It is not uncommon to describe filmmakers as “true artists,” however in the case of Peter Greenaway it is literally the case that he brings an artist’s sensibility to work on the big screen. Born in Newport, Wales, in 1942, Greenaway grew up in London and studied to be a painter at the city’s Walthamstow College of Art. In the late 60s, Greenaway began to explore his fascination with cinema, embarking on a series of documentary short films which he continued throughout the 1970s that set out to capture the peculiarities of the world (or the world from a peculiar […]
by Nick Dawson on Oct 21, 2009
