“Finding a way to produce this movie in 27 days was a riddle we were always solving,” recalled director Peter Sollett. “And doing it in a way that had integrity, the kind that Laurel and Stacie had, was a challenge and a mission statement.” Sollett was speaking at a Bloomberg/IFP “Business of Entertainment” breakfast, hosted by IFP board member and Bloomberg principal, Katherine Oliver, high above downtown Toronto and overlooking Lake Ontario on the eve of the world premiere of his latest feature, Freeheld, at TIFF. Oliver was introduced by IFP and Made in New York Media Center Executive Director […]
by Allan Tong on Sep 13, 2015At some point in your career, things are going to break your way — you’ll be lucky enough to have your crowdfunded labor of love generate some heat at a big festival. Or your short film will go viral. Or maybe you’ll sell a hot spec or make the Black List. Whatever happens, you’ll land managers and agents, and people in L.A. will want to meet you — and not a minute too soon, because you’re four months behind on rent and need to pay for T-shirts for all your backers. It’s time to meet studio execs looking to hire […]
by Marc Maurino on Jul 17, 2014KAT DENNINGS AND MICHAEL CERA IN DIRECTOR PETER SOLLETT’S NICK AND NORAH’S INFINITE PLAYLIST. COURTESY SCREEN GEMS. For all the current talk of the sky falling on American independent cinema, you don’t have to look any further than Peter Sollett’s recent experiences to see how tough things have become for even the most gifted indie writer-directors. Thirty-two-year-old Brooklyn native Sollett grew up in an Italian-Jewish neighborhood in Bensonhurst and studied film at NYU’s Tisch School of the Arts, graduating in 1998. In 2000, he directed and co-wrote, with his partner Eva Vives, the short filmFive Feet High and Rising, about […]
by Nick Dawson on Oct 3, 2008