I typically aim to use this last post as my awards clean-up, wherein I tackle the prize-winning films I didn’t address in my previous dispatches. This year will have to be different, since Spike Lee’s jury trophied many of the films I already found generative enough to have given them space here. Not atypically, though, the panel failed to hand any accolades to the two films that in my opinion were the most laudable among the competition slate—namely, Bruno Dumont’s rapturously off-kilter France, which could have justifiably taken any prize on the menu except Best Actor (although Macron’s unknowing cameo […]
by Blake Williams on Jul 22, 2021Wavelengths, the Toronto International Film Festival program that ferries viewers deep into the world of contemporary experimental film, celebrated its tenth birthday in 2010 and received a sweet birthday gift: A completely sold out first show. Even enthusiasts who had lined up more than thirty minutes early were turned away from the 200-seat theatre at the Art Gallery of Ontario (along with your loyal scribe and similarly surprised colleagues from The Film Society of Lincoln Center, the Pacific Film Archive and the Walker Art Center). It was an auspicious start to curator Andréa Picard’s extensive program of more than thirty individual […]
by Livia Bloom Ingram on Sep 19, 2010