“Free love? That’s the only love I can afford!” Stephen Winter’s Jason and Shirley is no mere behind-the-scenes reenactment of the circumstances that would add up to Shirley Clarke’s seminal 1967 Portrait of Jason, but rather a full-bore interrogation of what Clarke’s documentary cost its participants during shooting. To those ends, the film’s rendition of gay hustler Jason Holliday (portrayed here by Jack Waters) is remarkable: it sketches out Jason’s dreams and nightmares in brazenly emotional flights of inward fancy, made all the more jarring by Waters’ unflinching, body-pressurized performance. As Clarke, writer Sarah Schulman gives off an uncanny with-it […]
by Steve Macfarlane on Jun 17, 2015Portrait of Jason Milestone Films — November 11 One-man show, fueled by one scotch bottle, in Shirley Clarke’s living room, one tough night only: Portrait of Jason is a spontaneous monologue delivered by hustler/aspirant cabaret artist Jason Holliday. Prompted and interrogated by a sometimes-exasperated crew, Jason is sharp on race and sex and self-deluding about himself. If his bravado is a necessary survival skill for survival as a queer black man in mid-20th-century America, there’s still a queasy charge in experiencing repeated whiplash as a viewer pinging back and forth between empathy and revulsion. This second volume in Milestone’s restorations […]
by Filmmaker Staff on Oct 20, 2014