In April 1980, actor Sam Neill and screenwriter Frederic Tuten were sitting next to each other on a flight from Paris to New York. The two were about to embark on the making of a film and had been spending time with its director in France. Tuten was new to screenwriting but had already picked up on the hierarchy of above-the-line talent and was amazed the producers had sprung for him to sit in first class with the lead actor. He offhandedly asked Neill, “Isn’t this whole film world just about money?” Neill corrected him, “It’s not about money, it’s […]
by Brandon Tonner-Connolly on Sep 4, 2019In a fit of extreme ballsiness, BAMcinématek is currently plummeting down the rabbit hole opened by Polish filmmaker Andrzej Zulawski, showcasing a complete retrospective appropriately entitled Hysterical Excess. Zulawaski’s films employ many hallmarks of genre filmmaking: the paranormal, the psychedelic, blood and guts. As well, beasties and boobies make appearances somewhat to excess, a tendency which has kept him from recognition as an “important” auteur despite a consistent aesthetic based on exhilarating camerawork (in collaboration with beloved cinematographer Andrzej Jaroszewicz) that swoops and dives like a bat one moment only to penetrate a bedroom with the tightest, most controlled zoom […]
by Farihah Zaman on Mar 9, 2012