Forty-ish years on, Rip Torn’s thoughts on the demeaning nature of product placement (as told to Studs Turkel in his classic oral history Working) remain relevant, with no contemporary amendation necessary: I remember doin’ a television show, oh, about ten years ago — I haven’t worked on network television for about eight years. I was smokin’ a cigar. I was playing a Quantrell-type character, so I had a long Cuban cigar. I got up on a horse and we had to charge down a hill. It was a long shot. The director and the producer both hollered, “Cut! Cut! What’re […]
by Vadim Rizov on Aug 4, 2014Leading up to our 18th birthday, I’ll be revisiting on the blog one issue of Filmmaker a day. Today’s is Fall, 1993. Peter Bowen interviewed Derek Jarman about his Wittgenstein for our Fall, 1993 cover. Holly Willis interviewed D.A. Pennebaker and Chris Hegedus about their doc on the Clinton Presidential campaign, The War Room. And there is still some useful advice in this article by Daniel Einfeld, a producer of the indie hit My LIfe’s in Turnaround, on bartering and production placement. (In the Filmmaker office, this article is kind of infamous for having what is perhaps our worst article […]
by Scott Macaulay on Aug 6, 2010