Ra’anan Alexandrowicz
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Ra’anan Alexandrowicz on The Law in These Parts
Ra’anan Alexandrowicz’s The Law in These Parts sheds new light on the Israeli-Palestinian conflict from an unexpected perspective. Interviewing nine military judges, the director explores how Israel created a new legal system to control the Gaza Strip and West Bank after occupying them in 1967. At first, the state may have begun with the understandable desire to defend itself from violence, but its justifications quickly became self-serving. In one of the film’s most memorable examples, a woman was sentenced to a year and a half in jail for giving a “terrorist” bread. The film consists of stylized interviews with the […]
by Steven Erickson on Nov 15, 2012 -
“THE LAW IN THESE PARTS” | director, Ra’anan Alexandrowicz
[PREMIERE SCREENING: Friday, January 20, 3:00 pm –Screening Room, Sundance Resort] My new film, The Law in These Parts chronicles the legal mechanism created around Israel’s 44-year military occupation of the Palestinian people. It is a film which explores something theoretically there for people to see, but that is completely hidden from society’s eye. The film’s raw materials are laws, verdicts, appeals – some of the driest and least appealing materials that exist. The effort to bring this material to life and create cinema around it was the most complicated task I have ever taken upon myself. When I discussed […]
by Filmmaker Staff on Jan 20, 2012 -
12 SUNDANCE FILMS I’M EXCITED TO SEE
Five years after finishing his wonderfully wacked-out debut, The Guataealan Handshake, Todd Rohal, frustrated by the time it was taking to set up a new movie, jumpstarted a micro-budget comedy about a priest. Called The Catechism Cataclysm, the movie was made for $50,000, and it got into Sundance, playing in last year’s midnight section. IFC bought the film for its Midnight label, releasing it to a scant $897 on a single screen. Rohal didn’t sweat it; the movie did what it needed to do for him (read Megan Holloway’s consideration here), and he went on to his next film. And […]
by Scott Macaulay on Jan 18, 2012
