Zac Stuart-Pontier If you go to the website of Zac Stuart-Pontier (zac-edits.com), your browser heading will display the following: “Zac edits really, really, really well.” This cheeky claim was earned in early 2010 when the three feature documentaries that Zac had been working on since he graduated NYU in 2006 premiered within a month of each other: Jody Lee Lipes and Henry Joost’s NY Export: Opus Jazz, which premiered on PBS and took to the festival circuit with gusto in March, via SXSW; James Rasin’s biographical doc Beautiful Darling,about the Warhol superstar Candy Darling and the loves she left behind, […]
by Filmmaker Staff on Jul 20, 2010Welcome to the 2010 edition of Filmmaker‘s annual survey of new independent film talent. Victoria Mahoney Writer-director Victoria Mahoney began her artistic career as an actress in theater and then film. “Shelly Winters was my teacher,” Mahoney says. “If you touched your hair too many times in her class, she’d come over and cut off your bangs. She taught me the gift of stillness.” After working off-off Broadway, Mahoney went to L.A., did a number of pilots, a few European films, and a season of Seinfeld (she played Gladys Mayo, owner of the clothing store Putumayo). But then there […]
by Filmmaker Staff on Jul 20, 2010Directors Julia Grigorian and Kirby McClure, who collaborate together as Radical Friend, are following their string of innovative music videos with their biggest project yet, but you probably won’t see it on YouTube anytime soon. Following up on the technological experimentation of their videos for groups like Black Moth Super Rainbow and Yeasayer, Radical Friend has been commissioned by the Creators Project (a collaboration between Vice magazine and Intel) to make something that seems part atavistic ritual, part Cronenbergian cyber-humanism. Writes the duo in an e-mail, “Our project is The Digital Flesh, and it’s very much aligned with our video directing […]
by Scott Macaulay on Jul 17, 2010