Ramona S. Diaz
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“The Spectacle of Elections” | Ramona S. Díaz, And So It Begins
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? The Philippines—in all its contradictions, its beauty, its spectacle, its heartache. I’ve made many films about where I was born, but I’ve always wanted to make a film about exuberance, even if it does not have a happy ending in conventional terms. […]
by Filmmaker Staff on Jan 22, 2024 -
“Very Much Like Short Cuts, and the Medfly was Duterte — That Was My Pitch”: Ramona S. Diaz on A Thousand Cuts
While recent right-wing attacks on the free press here in the US have rightly been sounding alarm bells, in a global context they are merely wake-up calls. Sure, Trump deeming the “lamestream” media “fake news” is dangerously juvenile, but it’s also a far cry from, say, the Duterte administration finding the founder and CEO of the Philippines’s top online news site Rappler guilty of “cyber libel” — a travesty of justice that happened just this past June. And the politically orchestrated verdict comes with both a hefty fine and potential prison time for “2018 Time Person of the Year” Maria […]
by Lauren Wissot on Aug 6, 2020
