Richard Leacock
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Five Questions with Photographic Memory Director Ross McElwee
When Ross McElwee heeded the call to become a filmmaker in the mid 1970s, he enrolled in M.I.T.’s film program and studied with pioneering cinéma vérité documentarians Richard Leacock and Ed Pincus. Lighter, smaller cameras and advancements in sync-sound made it possible for one man to do what a film crew did not too many years before. McElwee would synthesize the lessons learned and use the new technology to create a distinctive kind of cinema. McElwee’s films are often filed in the “personal documentary” category. Like many labels, personal documentary seems inadequate, if not downright misleading. Yes, his family, friends, […]
by David Licata on Oct 10, 2012 -
KICKSTARTER: JANE WEINER’S “RICKY ON LEACOCK”
“In 1972, Ricky put a Super 8 synch-sound camera in my hand and said, ‘If you want to become a filmmaker, you have to shoot,’” writes filmmaker Jane Weiner on the Kickstarter page for her project, Ricky on Leacock. “Turning my lens on him, I was suddenly transported into another universe: What began as a filmic conversation developed into a filmic adventure that traces the roots of Leacock’s cinematic quest and his role in documentary-making over the last century.” Four decades later, and less than a year after Leacock passed away, Weiner is finishing her documentary on the legendary filmmaker […]
by Scott Macaulay on Dec 11, 2011
