Two strangers from different classes meet in Mumbai by accident in Photograph, an Amazon Studios release opening theatrically May 17. Rafi (Nawazuddin Siddiqui) scrapes along by selling snapshots of tourists. The middle-class Miloni (Sanya Malhotra) has her life planned for her: a course in accounting, followed by an arranged marriage. Through a familiar screwball-comedy twist, she agrees to pose as Rafi’s betrothed when his grandmother Didi (Farrukh Jaffar) visits. Photograph is not strictly a comedy, but more a study of two deeply unhappy people taking tentative steps out of isolation. Writer and director Ritesh Batra explores his characters with an […]
by Daniel Eagan on May 16, 2019Whenever directors watch their own films, they always do so with the knowledge that there are moments that occurred during their production — whether that’s in the financing and development or shooting or post — that required incredible ingenuity, skill, planning or just plain luck, but whose difficulty is invisible to most spectators. These are the moments directors are often the most proud of, and that pride comes with the knowledge that no one on the outside could ever properly appreciate what went into them. So, we ask: “What hidden part of your film are you most privately proud of […]
by Filmmaker Staff on Jan 27, 2019The way Ritesh Batra tells it, he used to be not very good at his job. The Indian-born writer/director had studied in the U.S. as an undergrad and ended up working at the financial consulting firm Deloitte, but though he “had a business background of sorts, I was a terrible, terrible consultant,” Batra says. “They call it ‘sitting on the bench,’ when you’re a bad consultant and they don’t want to send you to clients. I quit because I didn’t want to do something I was bad at all my life.” Batra, born and raised in India, had always wanted […]
by Nick Dawson on Jan 17, 2014