It would be easy to call 1979 a red letter Cannes for New Hollywood: Apocalypse Now got Francis Ford Coppola his second Palme d’Or (split with Volker Schlöndorff for The Tin Drum), Terrence Malick received Best Director for Days of Heaven. Outside of the spotlight of official competition, another American film playing in the International Critics’ Week walked away with the second ever Camera d’Or for best first feature. Directed by John Hanson and Rob Nilsson, Northern Lights returned the pair to their North Dakota roots by documenting 94 year-old Henry Martinson, a socialist organizer instrumental in the victory of […]
by Alex Lei on Oct 2, 2024The following is an abridged version of a report on the self-distribution of the 1978 U.S. indie Northern Lights, directed by John Hanson and Rob Nilsson, written shortly after the film’s release by Hanson himself. The winner of the Camera D’Or at the Cannes Film Festival in 1979, Hanson and Nilsson’s film is being released by Artists Public Domain/Cinema Conservancy and opens at Film Forum on September 2o. The distribution of Northern Lights was both unusual and unique. Instead of opening in New York, getting reviews, moving to the biggest cities in the country and gradually spreading out to the […]
by John Hanson on Sep 13, 2013