“It’s the light! Always the light!” exclaims a priest to the murderous Tom Ripley (Andrew Scott) as they bask in the glory of a Caravaggio painting in Netflix’s new adaption of the Patricia Highsmith novel The Talented Mr. Ripley. There are a multitude of exquisite facets to cinematographer Robert Elswit’s work on the series, including the formal compositions that embrace the Italian setting’s architecture. But, more than anything else, it’s the light as Elswit harkens back to classic noirs, 1960s Italian cinema and the canvasses of the great masters of chiaroscuro. Elswit earned an Oscar nomination for his black and […]
by Matt Mulcahey on Aug 16, 2024The term “TV coverage” used to be a pejorative, a reference to the mechanical nature of the medium’s visual language. It was shorthand for artlessly cranking out master, two shot, and close-up in order to churn through the high page counts necessary to produce a new episode of television each week. To behold the degree to which the medium’s aesthetics have evolved, look no further than HBO’s The Night Of. Every set-up has purpose. Every composition is storytelling. The details of each frame – where the people are placed, the amount of negative space, the portion in shadow, the plane […]
by Matt Mulcahey on Sep 8, 2016Sareesh Sudhakaran examines the cinematography of Paul Thomas Anderson’s frequent DP Robert Elswit in the latest wolfcrow video. Sudhakaran discusses lighting and camera techniques, including camera movement and the use of specific lenses in Elswit’s work.
by Marc Nemcik on Jun 9, 2016Marielle Heller, a New York-based screenwriter, actor and playwright, is attending the June Sundance Directors Lab with her project, The Diary of a Teenage Girl. “In the haze of 1970’s San Francisco, a teenage artist with a brutally honest perspective tries to navigate her way through an affair with her mother’s boyfriend,” is its description, and the film is being adapted from the graphic novel by Phoebe Gloeckner. Here is Heller’s second post from the Sundance Resort in Utah. Read the first here. The way the Sundance Lab is set up, you don’t always know how or when you’re going […]
by Marielle Heller on Jun 27, 2012Written and directed by David Mamet, shot by Robert Elswit, and starring Kristen Bell, Ricky Jay and Ed O’Neill. David Mamet’s “Lost Masterpieces of Pornography” w/ Kristen Bell, Ed O’Neill & Ricky Jay from David Mamet
by Scott Macaulay on Jun 4, 2010