Rodrigo Prieto
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“I Thought Maybe Directors Have This Magical Thing Where They Can Judge a Performance”: DP Rodrigo Prieto on his Directorial Debut, Pedro Páramo
Based on the novel by Juan Rulfo, a key work in Mexican literature, Rodrigo Prieto’s Pedro Páramo follows several characters across decades as they search for answers to their lives. The story unfolds in arid villages and lush haciendas, against a backdrop of feudal aristocracy and a powerful Catholic church. First seen at a crossroads in a desolate landscape, Juan Preciado (Tenoch Huerta) sets out to keep a promise to reconnect with his estranged father Pedro Páramo (Manuel Garcia-Rulfo). In his journey Juan encounters others who have dealt with his father: criminals, priests, the deaf and blind, and above all, […]
by Daniel Eagan on Nov 26, 2024 -
“Scorsese is Always Open to the Energy of the Moment”: DP Rodrigo Prieto on Killers of the Flower Moon
Adapted from David Grann’s best-selling book, Martin Scorsese’s Killers of the Flower Moon is based on real-life crimes against the Osage Nation in 1920s Oklahoma. In the film, Scorsese continues his collaboration with several key artists: actors Robert De Niro and Leonardo DiCaprio, editor Thelma Schoonmaker and cinematographer Rodrigo Prieto, ASC, AMC. This also marks the final film for Scorsese and musician Robbie Robertson, who died this past August. Prieto worked with Scorsese on three previous films: The Wolf of Wall Street, The Irishman, and Silence. He built a career in his native Mexico, earning international acclaim with Alejandro González […]
by Daniel Eagan on Nov 8, 2023 -
Photographing Memory: DP Rodrigo Prieto on the “Three-Headed Monster” Used to Shoot Martin Scorsese’s The Irishman
Martin Scorsese’s The Irishman, based on hitman Frank Sheeran’s (Robert De Niro) account of the murder of Teamster luminary Jimmy Hoffa (Al Pacino), talks back to its characters’ memories as much as it does the director’s past films. It’s Sheeran’s perspective told from Scorsese’s, executed by his go-to cinematographer since The Wolf of Wall Street, Rodrigo Prieto. Sheeran confessed to murdering Hoffa, the dear friend he served as bodyguard. But Hoffa’s true cause of death is still subject to speculation, as are details of Sheeran’s recollection. “Some people are mulling over what’s accurate and what’s not accurate, and I don’t […]
by A.E. Hunt on Dec 10, 2019 -
This is Where We Blow Up: Writer/Director Boots Riley on Sorry to Bother You
“The papers on the boardroom table were stained from corpses.” Those lyrics, from The Coup’s 2012 album Sorry to Bother You, offer some idea of the ideological imperative propelling Boots Riley’s wildly inventive, Brazil-meets-Afrofuturism satire of the same name. Struggling to make ends meet in Oakland, Cassius Green (Lakeith Stanfield) takes a job with telemarketing firm RegalView, where he finds himself rocketing to the top of the corporate ladder after he uses his “white voice” to drum up sales. His activist girlfriend Detroit (Tessa Thompson) disapproves, especially after Cassius comes to the attention of deranged tech bro Steve Lift (Armie […]
by Nelson George on Jun 11, 2018 -
Tribeca 2013 Critic’s Notebook #3: On The Margins
It’s easy to feel cheated at film festivals, especially ones that charge $18 per ticket. (Does Tribeca still do that?) You couldn’t get into this screening or you missed that party or the awards because you couldn’t find a cab or had to file some copy. The publicist you have a crush on just isn’t that into you. Cry me a river. And then the awards have been given, the parties have been had, the distribution panel nameplates thrown in the trash. The clock is ticking, always, and you can never see or do everything. Funny, when you’re young, you […]
by Brandon Harris on Apr 29, 2013
