With many viewers struggling with subscription-itis — a costly overload of SVOD memberships that inflate credit card bills at the end of each month — it’s no wonder that the so-called FAST (free ad-supported streaming television) channels are taking off in popularity. For filmmakers, these channels offer a new revenue stream, and for viewers not only no-cost entertainment but the chance to discover many titles that for whatever market-based reasons aren’t streamable on Netflix, Amazon Prime or Criterion. Filmmaker‘s Web Editor, Natalia Keogan, and I took a look through the current offerings of the most well-recognized FAST channel, Tubi, to […]
by Natalia Keogan and Scott Macaulay on Jul 16, 2023If, like me, you’re a hardcore film geek who ranks Stanley Kubrick as your favorite director of all time, then Jan Harlan needs no introduction. At least that’s what I thought when I met Kubrick’s longtime producer (beginning with A Clockwork Orange — or rather the never-made Napoleon – right through to Eyes Wide Shut) this year at the Bermuda International Film Festival, where I’m on the international advisory board. Harlan was also Kubrick’s brother-in-law: his older sister Christiane was the director’s wife. It was a simple twist of fate that I found myself filling in as a last-minute replacement […]
by Lauren Wissot on May 6, 2014NICHOLAS ROMBES checks in to Room 237 and the underground world of Kubrick obsessives with director RODNEY ASCHER.
by Nicholas Rombes on Jan 21, 2013Following on from the announcement of its main slate, the New York Film Festival has unveiled the event’s sidebar programs, which includes a sneak preview of three episodes of Oliver Stone’s forthcoming Showtime series Untold History of the United States. For me, the most exciting strand of those just announced is Cinema Reflected, which has such titles as Room 237, Rodney Ascher’s obsessional examination of Kubrick’s The Shining; Marina Zenovich’s follow-up doc Roman Polanski: Odd Man Out; a bizarre concoction by Taxidermia director György Pàlfi called Final Cut — Ladies and Gentlemen which proclaims to be scenes from 450 of […]
by Nick Dawson on Aug 21, 2012Does the culture make the artist, or does the artist make the culture? Two Sundance documentaries — Shut Up And Play the Hits, which follows James Murphy through the last concert of his band LCD Soundsystem in 2010, and Under African Skies, Joe Berlinger’s history of Paul Simon’s seminal Graceland – might seem to be unlikely bedfellows. Both films are brilliantly executed portraits of musicians walking the tightrope of cultural relevance and personal expression. The differences between the two stories illustrate fundamental changes in our popular culture over the last 30 years. Both films seek to explore “a moment in […]
by Alicia Van Couvering on Jan 27, 2012