Rory Kennedy
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“The Charismatic Leader Leads People, But What Toward?”: Rory Kennedy and Mark Bailey on Their HBO Docuseries The Synanon Fix
Currently unspooling across four episodes on HBO and continuing to stream on Max is The Synanon Fix, the latest true-crime catnip from the cable channel that’s not a juggernaut of the genre. And while the Sundance-debuting docuseries does involve the usual “suspects” (a cult, a cache of weapons, attempted murder via a venomous snake), it’s also the latest HBO Original from director Rory Kennedy and writer Mark Bailey (Ethel, Downfall: The Case Against Boeing). Which means it’s less interested in lurid details and more focused on actual individuals with an optimistic vision who are drawn into — and failed by […]
by Lauren Wissot on Apr 15, 2024 -
“Each Second Meant the Difference Between Life or Death”: Rory Kennedy on The Volcano: Rescue from Whakaari
Forget social and political issues—in documentaries, 2022 is shaping up to be the year of the volcano. There was Sara Dosa’s exquisite Fire of Love (which I fell in love with back at CPH:DOX in March, also screening at DOC NYC), in which a pair of lovestruck vulcanologists are quite literally consumed by their passion. Now we have not one, but two volcano-centric films debuting at this year’s DOC NYC. While I’ve not seen Herzog’s (pre-festival premiering) The Fire Within: A Requiem for Katia and Maurice Krafft, its title naming Dosa’s aforementioned protagonists, I’m guessing it’s likely the polar opposite of […]
by Lauren Wissot on Nov 15, 2022 -
Editor Azin Samari on Sundance Surfing Documentary Take Every Wave: The Life of Laird Hamilton
Editor Azin Samari has cut everything from reality TV shows like The Bachelorette and The Hills to award-winning documentaries such as The September Issue. For her latest feature, Samari edited Take Every Wave: The Life of Laird Hamilton, a documentary on the celebrity surfer from director Rory Kennedy (Last Days in Vietnam). We spoke with Samari before the film’s premiere at the 2017 Sundance Film Festival. Below, Samari speaks about her previous work with Kennedy, her love of Thelma Schoonmaker and cracking the veneer of a media-savvy figure like Hamilton. Filmmaker: How and why did you wind up being the editor of your […]
by Filmmaker Staff on Jan 26, 2017 -
“The Grandeur of this Exceptional Human”: DP Alice Gu on Take Every Wave: The Life of Laird Hamilton
Among the world’s most well-known surfers, Laird Hamilton has surfed professionally since he was 17 years old. Now in his 50s, he’s the subject of a documentary from Academy Award-nominated director Rory Kennedy. Take Every Wave offers a profile of Hamilton as a surfing innovator, celebrity and family man. Below, DP Alice Gu discusses the challenges of shooting this fast-moving, larger-than-life figure. Gu, one of two DPs on the project, goes into detail on the cameras and lenses required for the project. Take Every Wave will screen four times during the 2017 Sundance Film Festival. Filmmaker: How and why did you wind […]
by Filmmaker Staff on Jan 23, 2017 -
“A Different Kind of Surf Movie”: Director Rory Kennedy | Take Every Wave: The Life of Laird Hamilton
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? The greatest communication challenge in making Take Every Wave: The Life of Laird Hamilton was how to take a somewhat conventional mode of storytelling – the iconic surf film – and tell it in an unexpected, unconventional way. Most surf films operate like their own contained love stories: Man (or woman) meet wave; Man rides wave; Man reflects on riding wave before going off to ride another. […]
by Filmmaker Staff on Jan 22, 2017 -
Park City Critic’s Notes #1: Jungle Violence and Prairie Reckonings
Generally speaking, the documentary competitions sections of major market film festivals are not places to go and find uplift. Wanna feel good in, say, the James Brown sense of the phrase? The Premieres or Spotlight sections at a festival such as Sundance are usually better bets, programs that tend to provide, with some notable exceptions, a bevy of of biopics, inspiring tales and quirky comedies packaged to appeal to vain movie stars and whatever audience still remains for mid-to-lowbrow, adult-centered specialty films. Any world where the people are all as attractive as, say, Keira Knightley, Chloë Grace Moretz and Mark […]
by Brandon Harris on Jan 17, 2014
