Sam Elliott
-
Matty Libatique on Lensing Bradley Cooper’s A Star is Born
“Music is essentially 12 notes between any octave,” intones Sam Elliott’s character in A Star Is Born. “It’s the same story, told over and over. All any artist can offer the world is how they see those 12 notes.” That nugget of wisdom extends to the realm of cinematography, too, where the artists toil within an “octave,” using notes comprised of medium shots and close-ups, push-ins and tracking shots. But like great musicians, great cinematographers make audiences forget the basics of cinema grammar and lose themselves inside a rush of images, which DP Matty Libatique certainly compels them to do […]
by Matt Mulcahey on Dec 17, 2018 -
How Viral Video Contests Led to Will Blank’s Beautiful Fantasy Short, Limbo
Recently receiving its online premiere after months of plaudits on the genre festival circuit, Will Blank’s Limbo is a beautifully executed fantasy short concluding with an unexpected philosophical gut punch. Adapted from Marian Churchland’s graphic short story, the set up is simple — a man coping with the detritus of a failing relationship heads to the desert, where he comes across a dying dog able to grant him one wish. The starkness of the environment and the pathos of the situation — nobly conveyed by Sam Elliott, who voices the (skillfully animatronic) dog — elevates this simple story into something […]
by Scott Macaulay on Jul 19, 2017 -
The Mommy Trek: Paul Weitz’s Grandma
“So I didn’t suffer for my art!” Feminist poet and lecturer Elle Reid (Lily Tomlin), an irreverent, confrontational carryover from the hippie era, yells defensively at Olivia (Judy Greer), a much younger former student of great promise as well as her girlfriend in a recent doomed relationship. The bitter ex has just aimed what in literary circles are insulting barbs at the seasoned author. “Writer-in-residence!” she screams outside the café where she is now waiting tables after abandoning her studies, much to Elle’s consternation. “Solipsist!” she adds to the sting. I did suffer for my art. Sort of, and not for […]
by Howard Feinstein on Aug 21, 2015
