I first became aware of director Maggie Greenwald’s work in 1993, when her extraordinary Western The Ballad of Little Jo was released. That film, the story of a woman choosing to live as a man rather than yield to patriarchal society’s demands and expectations, established a number of ongoing concerns in Greenwald’s work: a richly observed sense of anthropological detail; a dynamic sense of light, color and composition designed to portray the past with immediacy rather than distance; and a concern with the intersection between the personal and the political that makes her films both timely and timeless. All of […]
by Jim Hemphill on Jan 26, 2017In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? As the screenwriter as well as director of Sophie and the Rising Run, I didn’t believe there […]
by Filmmaker Staff on Feb 5, 2016