StageCraft
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“IMAX Cameras are Sewing Machines—They are So Loud”: DP Matthew Jensen on Wonder Woman 1984
“You still can’t beat reality,” says Matthew Jensen. That may seem like an incongruous proclamation from the cinematographer of a $200 million superhero spectacle that concludes with a flying goddess facing off against a half human/half cheetah. But instead of simply shooting the film’s opening Amazon Olympics flashback in a greenscreen wonderland, Jensen headed to Spain’s Canary Islands and put 10-year-old actress Lilly Aspell (as a young Diana Prince) on horseback on an IMAX-rigged process trailer. Instead of digitally returning a gutted Virginia mall to all its 1980s glory, the Wonder Woman team rebuilt more than 60 period stores. And for […]
by Matt Mulcahey on Jan 22, 2021 -
“If You’re in the Right Location at the Right Time, You Shouldn’t Need Much Light”: DP Greig Fraser on The Mandalorian
Laboring in a greenscreen expanse for months on end never seemed like a particularly pleasant way of working. Not for the crew, confined to a windowless stage with walls roughly the same hue as green Tropical Skittles. Not for the actors, performing in a world they can’t see. And not for the cinematographer, surrendering control of the background that will ultimately replace the verdant swath of green. StageCraft, a new technology that employs a vast array of LED video screens, provides an appealing alternative for capturing virtual environments. Created in partnership with Epic Games and Industrial Light & Magic, StageCraft offers […]
by Matt Mulcahey on Sep 17, 2020
