Stephanie Spray
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The Beautiful Stubborn Loneliness of the Filmmaker-Shooter
Folks who go to artist residencies fall into one of three categories. There are the artists for whom the time and space is more an experiential tool (we’re looking at you, social practitioners), those who strike a healthy balance between socializing and accomplishing an elevated amount of creative work, and those who disappear into an antisocial work bunker, popping up only for communal feedings, knowing upon exiting into the real world they’ll be back in the trenches of freelance gigs, copyediting, teaching work and the reply-all emails that accompany them. I fall into the latter category. Not long ago, I […]
by Mitch McCabe on Jul 7, 2020 -
Phantom Rides
Stephanie Spray and Pacho Velez’s mesmerizing Manakamana is the kind of film that pushes us to confront the basic reasons we go to the cinema in the first place — and what compels us to stay and stare at a screen for two hours. Most of us go to be transported in one way or another; Spray and Velez’s film certainly delivers in this respect, both literally and figuratively. Set entirely within a cable car floating above the Nepali jungle, the camera trained on visitors journeying to a mountaintop temple, the film never stops moving. It’s an action movie about […]
by Paul Dallas on Apr 28, 2014 -
Letter from Locarno, Week Two
The Locarno Film Festival is characterized by its relaxed atmosphere and by its expansive programming. One can meander easily from a George Cukor classic on 35mm (he’s receiving a complete retrospective here), to the latest Ben Rivers and Ben Russell experimental narrative (part of the “Signs of Life” series, named after the Herzog film), to Jeremy Saulnier’s Blue Ruin screening in the 8,000 seat Piazza Grande. And in between, you can take a dip in the lake. It’s the kind of festival where you never have to wait in line for a press screening. This exceptional experience is in part […]
by Paul Dallas on Aug 15, 2013
