“Infusion Of New Blood Is Necessary To Remain Viable”: Kore-eda Hirokazu Expands his Palette for Shoplifters
All Kore-eda films prior to Shoplifters (Manbiki Kozoku) involved families pushed together by blood or filiation, but for his new family of misfits crime is the only accord. They are a troop of scavengers who steal to survive, orphans, abandoners, and the abandoned, who’ve found each other. For the first time he tells the story of a family that chooses to be together. Drama arises from those characters not wanting to admit their motivations, as doing so might affirm no “real” family awaits their return. Kore-eda doesn’t know this story, though he’s shaped it through his life experience as much […]
by A.E. Hunt on Nov 23, 2018
