Sundance Film Festival
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“Everyone in the Indie world is Full of Passion”: Producer Julie Waters on Oh, Hi!
Oh, Hi! is director Sophie Brooks’ follow-up to 2017’s The Boy Downstairs about the mismatched desires of Iris and Isaac (Molly Gordon and Logan Lerman, respectively) as they attempt to rekindle their romance. The film screens as part of the 2025 Sundance Film Festival’s Premieres sections. Oh, Hi! is also the debut feature producing credit by Julie Waters. Below, Waters discusses transitioning from the studio system to the indie world and the guiding lights who helped her succeed. See all responses to our annual Sundance first-time producer interviews here. Filmmaker: How did you connect with this filmmaker and wind up producing the film? […]
by Filmmaker Staff on Jan 26, 2025 -
Sundance 2025: The Perfect Neighbor, Sly Lives
Stagnation (long-term) and change (imminent) hang over this year’s Sundance. In 2027, the festival will relocate to one of three finalist sites—potentially still a Salt Lake City/Park City split, with the balance of power now reversed between the latter and former, through the rumor vine says Cincinnati or Boulder are more likely. (Please, lord, deliver us unto the midwest or thereabouts.) A Variety article headlined “Sundance in Cincinnati? Hollywood Worries Film Festival Won’t Be the Same Without Park City” actually reports nothing of the sort; the voices regretting Sundance’s imminent departure to a less demanding altitude come from two Utah […]
by Vadim Rizov on Jan 24, 2025 -
“14 Inches From a Very Personal Form of Murder”: Steven Soderbergh on Camera as Character and His Sundance Horror Film, Presence
The following interview of Steven Soderbergh about Presence was originally published last year when the film premiered at the 2024 Sundance Film Festival. It is being reposted today as the film is released in theaters from NEON. — Editor A heady, elegantly-constructed ghost story, Steven Soderbergh’s Presence has a bunch of half-buried threads, a couple of perfectly-timed scares, and a horrific close-up of an act of violence that mesmerizes the camera—just as horror films mesmerize their audience. The camera is the star here, and not merely because its sustained, floating movements, its sudden turns and retreats, its anxious hovering display […]
by Amy Taubin on Jan 24, 2025 -
2025 Sundance Film Festival Announces 93 Projects Across Its Feature Film and Episodic Programs
The Sundance Institute announced today the 87 feature films and six episodic projects selected for the 2025 Sundance Film Festival. Among the films are new pictures from returning filmmakers Cherien Dabis, Bill Condon, Amalia Ulman, Ira Sachs, and Amir “Questlove” Thompson, while in the U.S. and World Dramatic Competitions, all 20 filmmakers are making their first appearance at the festival. Additionally, 41% of the entire feature film program across the festival consists of films by first-time directors. Those statistics, says Eugene Hernandez, Director, Sundance Film Festival and Public Programing, in an interview with Filmmaker, are “a reminder of how much […]
by Scott Macaulay on Dec 11, 2024 -
Solutions Based: Who Should Save Independent Film?
The Sundance Film Festival is a time for movie watching, deal making, talent scouting and, often, much soul searching about the state and future of the independent film industry. This year in particular there was no shortage of media coverage and conversations about distribution and the sustainability of the independent business. As Sundance CEO Joana Vicente told The Ringer’s “The Town” podcast, “Everyone is thinking about solutions… How can we help and figure out how all these films find a home, and what’s our role in the distribution exhibition piece?” For Sundance’s more commercial films—of which there were several this […]
by Anthony Kaufman on Mar 18, 2024 -
“Can Someone Who Uses a Wheelchair Access this Location?” | Amber Sealey, Out of My Mind
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? There was a practical aspect to choosing our locations and sets for Out of My Mind that is not usually at the forefront of filmmakers’ minds: Can someone who uses a wheelchair access this location and every aspect of this location? Our […]
by Filmmaker Staff on Jan 19, 2024 -
Damien Chazelle’s Whiplash Named Favorite All-Time Sundance Film
Over 500 members of Sundance’s filmmaking community took part in a poll that named Damien Chazelle’s jazz drummer drama Whiplash as their favorite film of the festival’s 40 years. World premiering at the 2014 festival, the film won Sundance’s Audience Award: U.S. Dramatic and Grand Jury Prize; U.S. Dramatic. Of note is that the film was based on a proof-of-concept short that itself won the top prize at Sundance only the year before. The other nine selections are similarly well-known pictures by directors who have gone on to stellar careers. It’s a list that includes the first features by the […]
by Scott Macaulay on Jan 16, 2024 -
Form Follows Function: Noah Cowan on Three Winter Festivals Circa 1999
The following essay appeared in Filmmaker‘s Spring, 1999 print issue and is being reprinted in remembrance of Noah Cowan. Cowan, a festival programmer, non-profit executive director and critic, was also Filmmaker‘s Contributing Editor and chief festival correspondent, and he passed away January, 25, 2023 in Los Angeles. “Festival strategy” has become one of the more annoying buzz terms of the American independent film “industry.” However, the presence of three major festivals, all distinctive and legendary, clustered together in the winter months demands, in fact, that any serious American independent filmmaker finishing a film in the fall recognize the need for […]
by Noah Cowan on Mar 16, 2023 -
Sundance 2023: 5 Seasons of Revolution, My Animal, Selected Shorts, The Tuba Thieves and Milisuthando
Before it started, one question about this year’s Sundance concerned attendance: what happens when a more-expensive-to-attend-than-most festival, held in a cold place during winter’s peak at a high altitude, offers the option to stream the bulk of its titles online days later? Brand presence on Main Street appeared to be down (one out of five awnings rather than every single one), and P&I attendance seemed to be as well—but, for many there, the answer was jamming out endless viewings on their tablet or laptop between venturing out for select IRL screenings. Whatever those combined, not-yet-disclosed industry-plus-public streaming numbers were, they […]
by Vadim Rizov on Jan 27, 2023 -
“Luckily, the Actor Tested Negative” | Molly Gordon and Nick Lieberman, Theater Camp
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? We were on an extremely tight 19-day schedule with a large cast of children who had limited hours they could work. The cameras basically had to be constantly rolling to maximize every second. One day, there was a COVID scare that put a two-hour hole in our day. We spontaneously made up a scene where our characters are writing the […]
by Filmmaker Staff on Jan 25, 2023
