Sundance’s technology-focused New Frontier section spreads out to three venues this year as its lineup incorporates film, live performance, VR and mixed reality, and even AI. Of the latter, in Frankenstein AI: A Monster Made by Many, audiences “interact with” artificial intelligence to create a shared narrative, and in TendAR AI mixes with biometrics and facial recognition to humorously ponder the social issues surrounding this new tech. Regarding the venues and the program, from the press release: The New Frontier Exhibition at Kimball Art Center will host immersive dance and cutting edge VR & MR works as well as works […]
by Scott Macaulay on Dec 6, 2017Following on last week’s announcement of its feature slate for the 2018 edition, the Sundance Film Festival has announced the selections for its indie episodic, shorts and special events selections. In that middle category Filmmaker readers will spot two of this year’s 25 New Faces of film, Robin Comisar and Alexa Lim Haas. INDIE EPISODIC America To Me / U.S.A. (Director: Steve James, Segment Directors: Bing Liu, Rebecca Parrish, Kevin Shaw) — This limited series captures a year-long look at one of Chicago’s most progressive and diverse public schools, located in suburban Oak Park. Unprecedented in scope, the series is both […]
by Filmmaker Staff on Dec 4, 2017In years past, Sundance has unveiled its feature film lineup a few slates at a time; this year, we get all of the features scheduled to date in one fell swoop. The lineup — 110 strong over 10 categories — includes no less than 15 projects that are alumni of IFP, Filmmaker‘s parent magazine, including 306 Hollywood, the debut feature from Elan and Jonathan Bogarín, profiled in this year’s 25 New Faces of Film. It’s a heady line-up; dive in. The festival runs from January 18 through 28; look for our coverage starting then. U.S. DRAMATIC COMPETITION American Animals / U.S.A. (Director and […]
by Filmmaker Staff on Nov 29, 2017What is producing? I ask myself this question a lot, and the title on my business card literally reads “Producer.” I’m staff at a rad women-run studio in Brooklyn while also producing my own films as well as a handful of others. I say all this to reiterate just how amorphous the craft of producing can be. Because of its fluidity, it can also be a challenge to learn how to be better at it. Plus, producers rarely get interviewed in the industry articles that offer insights into filmmaking process. When they are featured, producing technique can be difficult to understand […]
by Meredith Alloway on Feb 13, 2012