I am packing for Sundance. I have some sweaters, some warm pants, a bottle of Wellness Formula, and a portable humidifier. My mini portable humidifier was lost in the vortex of production and my medium-sized portable humidifier may not fit in my suitcase. But I am prone to nosebleeds, and so it must fit. I feel prepared. And unprepared. I haven’t been to Sundance in nine years. Back then, there was a day in Park City when all I ate was Chobani yogurt, which was handed out for free from a little tent. The memory is strong: there I am, […]
by Taylor Hess on Jan 18, 2024Never have the words “in collaboration with” carried such a potent charge as they do in Scott Cummings’s Sundance-bound documentary, Realm of Satan. Working with members of the Church of Satan, Cummings hypnotizes viewers into the landscapes, physical spaces and ultimately mindsets of this misunderstood group as they, in the words of the Sundance programmers, “fight to preserve their lifestyle: magic, mystery, and misanthropy.” Writing about his previous film, Buffalo Juggalos, Cummings, a Filmmaker 25 New Face, said, “The Juggalos were not my subjects, they were participants, and every choice I made honored that participation.” There’s a similar ethos at […]
by Scott Macaulay on Jan 16, 2024Over 500 members of Sundance’s filmmaking community took part in a poll that named Damien Chazelle’s jazz drummer drama Whiplash as their favorite film of the festival’s 40 years. World premiering at the 2014 festival, the film won Sundance’s Audience Award: U.S. Dramatic and Grand Jury Prize; U.S. Dramatic. Of note is that the film was based on a proof-of-concept short that itself won the top prize at Sundance only the year before. The other nine selections are similarly well-known pictures by directors who have gone on to stellar careers. It’s a list that includes the first features by the […]
by Scott Macaulay on Jan 16, 20241994’s Go Fish, Rose Troche’s smart, punked-out work of guerilla filmmaking, combined a playful take on lesbian dating with discursive dialogues around gender politics and the cultural history of gay female representation. Part of the late ’80s and early ’90s low-budget boom of what critic B. Ruby Rich dubbed New Queer Cinema—films such as Poison, Swoon, The Hours and Times, Born in Flames and The Watermelon Woman—the Chicago-set Go Fish finds hip college student Max (Guinevere Turner, also the film’s screenwriter and producer) in a romantic rut and set up by friends with a hippie-ish older lesbian, Ely (V.S. Brodie). […]
by Holly Willis on Dec 15, 2023The Sundance Institute announced today the 2024 Sundance Film Festival short film lineup and the 40th Edition Celebration Screenings and Events — programming featuring alumni artists looking back on the festival’s four-decade history. The 40th Edition events will take place the second half of the festival (January 23 – 26) and will include brand-new 4K restorations of Napoleon Dynamite (20th anniversary) Go Fish (30th anniversary), Three Seasons (25th anniversary), and an extended version of DIG! (20th anniversary), featuring over 30 minutes of additional footage, titled DIG! XX. Also showing will be The Babadook and Pariah, and restorations of Mississippi Masala […]
by Filmmaker Staff on Dec 12, 2023The Sundance Institute today announced the 91 feature films, episodic and New Frontier works that comprise the 2024 40th edition of the Sundance Film Festival. Premieres by Steven Soderbergh, Lana Wilson, Nathan Silver and the Zellner Bros. join debuting filmmakers such as Jazmin Renée Jones, Haley Elizabeth Anderson and River Gallo at the festival, which runs January 18 – 28, 2024 in Park City and Salt Lake City, Utah. A selection of the film’s programming will also be available online from January 25 – 28. Sundance received a record 17,435 submissions this year from 153 countries, with 4,410 being feature […]
by Scott Macaulay on Dec 6, 2023