“I don’t even really understand the second act,” a filmmaker said to me just last week. He obviously hadn’t read Syd Field’s Screenplay, which is nothing if not about act structure: the first, second and third acts, but also the inciting incident, pinch one, plot point one, midpoint, pinch two, plot point two and resolution. When I started reading scripts — both as a professional gig and as a producer — Field’s was the book to have on your shelf, and, setting aside Aristotle, was the one that ratified a storytelling paradigm that exists to this day. As a script […]
by Scott Macaulay on Nov 18, 2013There are some jobs that bring about as much pain and rejection as they do inspiration and success. Screenwriting might be at the top of that list of professions. For every motivational tale of years spent toiling, hunched over the keyboard finally resulting in a six-figure sale, there are thousands of writers who continue to pound keys in front of just the pale, blue glow, still dreaming of being illuminated by a larger spotlight. Beginning writers are known to try everything in order to fulfill these dreams. They spend hours scanning the internet for names of agents and managers. They […]
by Eric Samulski on May 16, 2011