Once upon a time, a long time ago, I was considering the possibility that there might be more to screen drama than external conflict-driven plotting when, as if hit by a thunderbolt, a new paradigm of story structure downloaded onto the page in front of me. I had been teaching script analysis, a lecture class analyzing the dramatic structure of successful films, for a few years by then, and it had led me to notice ways that character elements were able to move stories forward. They were not simply providing an added layer of human interest. They were serving a […]
by Jennine Lanouette on Aug 11, 2015