Cannes No.64. Côte d’Azur. Film, film, film and more films. As a matter of fact, more films than you can even imagine are made. That was my first impression last year as I popped my cherry at the Palais, bringing my 30-minute short film, The Sea Is All I Know, starring Oscar winner Melissa Leo (above), to the festival. It was overwhelming. How could so many films be made? Where are they seen? Where does the funding come from? How does one sell them? Who were these people selling the films? What are pre-sells? How is that different than distribution? […]
by Jordan Bayne on May 25, 2012Originally published in our Web Exclusives section on June 8, 2007. It is entirely without hyperbole to introduce Vittorio Storaro as one of the most singular and influential cinematographers in the progression of modern motion pictures. His color palette on films such as The Conformist and Apocalypse Now is without peer, and long-lasting collaborations with directors Bernardo Bertolucci, Francis Ford Coppola and Warren Beatty have been recognized with three Oscars for Best Cinematography (Apocalypse Now (1979), Reds (1981) and The Last Emperor (1987)). Storaro’s latest film is Caravaggio, screening this week as part of Lincoln Center’s series “Open Roads: New […]
by Jamie Stuart on Nov 14, 2011