TIFF Critic’s Notebook 3: Hermia & Helena, The Dreamed Ones, Graduation
Matías Piñeiro has been living in NYC for a few years now, so it’s logical he’d eventually make a film set at least partially there. I can’t pretend to a lack of rooting interest: I know, casually or closely, a semi-significant number of people who worked on or acted in this, did a set report (meaning I spent part of the first viewing waiting to see what was actually being said in the shot I saw filmed) and, if you go to a lot of rep cinema in the city, Piñeiro — a serious, inveterate cinephile — is just kind of generally around. Hermia […]
by Vadim Rizov on Sep 10, 2016