As with life, beginnings are easy but endings are hard. At least, that’s what one might take away from the two very different running times of videos screenwriter Michael Arndt (Toy Story, Little Miss Sunshine) has posted about these crucial elements of any movie. His “beginnings video” runs eight minutes while his video on endings has a whopping feature-length running time! Using three films as his examples — Star Wars, The Graduate and Little Miss Sunshine — Arndt talks about internal and external conflict, philosophical resolutions and much, much more. As the screengrab above illustrates, Arndt is heavy into structure, […]
by Scott Macaulay on Jul 8, 2018Two unsung heroes of the American film industry get their due in Daniel Raim’s extraordinary documentary Harold and Lillian: A Hollywood Love Story. Most filmgoers – even the most informed ones – have probably never heard of Harold and Lillian Michelson, but the history of movies was forever changed by their contributions to classics like The Ten Commandments, The Graduate, The Apartment, West Side Story, and DePalma’s Scarface. Harold was a storyboard artist and Lillian ran a massive Hollywood research library; separately or together, they were essential resources for directors including Alfred Hitchcock, Francis Coppola, Danny DeVito, and Stanley Kubrick. They […]
by Jim Hemphill on Apr 28, 2017The sad news of Mike Nichols’ death at age 83 had me searching for something beyond the usual The Graduate highlight reel that would illustrate what seems to me like his greatest directorial virtue: the ability to keep a tonal straight face when confronted with material whose comic or dramatic potential could quickly push matters way over the top. This Catch-22 clip serves the purpose: the famous speech explaining what Catch-22 actually is is dwarfed by the airfield it takes place on, with jets and vehicles surrounding Yossarian (Alan Arkin) and Doc Daneeka (Jack Gilford). The choreography, both human and mechanical, is immaculate and […]
by Vadim Rizov on Nov 20, 2014Today is Dustin Hoffman’s 77th birthday, as good an opportunity as any to post this 33-minute interview from 1975. Conducted with patient professionalism and minimal intrusiveness by veteran interviewer Michael Parkinson, the conversation starts with lots of long pauses and deadpan stares from Hoffman, who claims his real name is Clare Boothe Luce. Loosening up, he deadpans that his “first fantasy was to be a sex symbol film star,” discusses how he drew upon his high school fear of buying “male prophylactics” for the scene in The Graduate when Benjamin Braddock nervously checks into a hotel, recounts his first sexual […]
by Vadim Rizov on Aug 8, 2014