Beating back chilly, sub-normal temperatures, the season finale of True Detective and the myriad distractions of its surrounding program — referencing the new SXSports category, one independent film stalwart snarled to me, “Don’t try to tell me that sports are now creative” — SXSW Film put a capper on its 2014 edition by awarding Sarah-Violet Bliss & Charles Rogers’ Brooklyn beach comedy Fort Tilden and Margaret Brown’s Deepwater Horizon doc, The Great Invisible, its top prizes. Other awards included a “special jury award for courage in storytelling to the lead actor and screenwriter of Collin Schiffli’s Animals, David Dastmalchian. (The […]
by Scott Macaulay on Mar 12, 2014Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the Documentary Competition title, The Great Invisible, Margaret Brown. Filmmaker: Why this movie? Why did you decide to do it? Brown: After the [Deepwater Horizon] spill, my dad started sending me pictures of our bay house in Alabama surrounded by boom, which BP was using to prevent the oil from getting in our marshes. Seeing my childhood invaded in this way was […]
by Danielle Lurie on Mar 10, 2014