It’s hard to go head first into film noir and not regurgitate the themes, styles, dialogue and characters from the past. But Noah Buschel in his latest cleverly dances around the genre to tell a story of a man who’s hit rock bottom and how he unknowingly redeems himself. Set in the modern day, Michael Shannon gives one of his best performances in a budding career as a gifted character actor with his portrayal as sauced Chicago private eye John Rosow. When we meet Rosow he’s extremely hung over and gets a call to do a job tailing a guy […]
by Jason Guerrasio on Apr 13, 2010Noah Buschel’s The Missing Person stars Michael Shannon, last seen as the asylum-bound neighbor in Revolutionary Road, and if Sam Mendes had directed this film, he might have played it straight, disregarding the minefield of clichés to pay reverent homage to The Long Goodbye; Buschel knows what a bold move it is to make a noir in 2007, so he subverts the genre with un-ironic simplicity and a few tall guys hitting their heads on the ceiling. We meet Shannon’s character in his dungeon-like Chicago apartment. His cell phone is ringing; he’s a PI; he’s offered a lot of money […]
by Scott Macaulay on Jan 19, 2009[PREMIERE SCREENING: Friday, Jan. 16, 6:00 pm — Library Center Theatre, Park City] For me, “story” is the most overused word in the film world these days. I hear actors saying, “I just wanna tell good stories.” I hear producers saying, “I have an intense passion for storytelling.” Jerry Bruckheimer is in some commercial calling himself a storyteller. Maybe he is. I don’t understand when indie movies became synonymous with storytelling. When did this extreme emphasis on narrative take place? As if a movie doesn’t lend itself equally well to being a poem or a painting. But we don’t hear […]
by Jason Guerrasio on Jan 16, 2009