The double feature has been a moviewatching mainstay since at least the 1930s. Their appeal is obvious: What better way to cap off a film than to delay real life for a few hours more with another one? Few of us catch double bills at a theater anymore, but their allure remains strong at home. As sites like Mashable and Uproxx reported this year, Netflix users can access double-feature-friendly micro-genres with ease. These days, the work of curating a dual bill of “critically-acclaimed gritty independent crime dramas” is practically done for you. You can even start the next film without […]
by Soheil Rezayazdi on Dec 22, 2016With the fantastical levels of post-production digital alchemy now possible, there’s an increasing trend toward not committing in-camera. But not when you’re working with director Nicolas Winding Refn, as cinematographer Natasha Braier discovered on The Neon Demon. “Most of the time directors love all the radical things I try to do in-camera, but then they’ll still say, ‘Just in case, let’s do a safe version.’ Nic doesn’t do that. He’s not scared to not have that safety net,” said Braier. “Instead, Nic says, ‘Give me that times 10. If you’re going to jump, let’s jump even higher.’ That’s why it’s […]
by Matt Mulcahey on Nov 30, 2016Nicholas Winding Refn’s new The Neon Demon, premiering in Competition at the 2016 Cannes Film Festival, is a nightmarish, outlandish fashion-world riff on A Star is Born in which vampiric models struggling to remain alluring in a swipe-to-the-next-one culture provide a ready-made metaphor for beauty industry soul-sucking. Elle Fanning is Jesse — blonde, beautiful, 16, and something of an empty vessel waiting to be anointed the next “It Girl.” Her journey through Angeleno nightclubs, booking agencies and photography studios is one of ribald psychological horror, as physical spaces twist and expand, friends become alien, and even her scuzzy, entirely unfashionable […]
by Scott Macaulay on May 19, 2016On the heels of the announcement that Nicholas Winding Refn’s new film The Neon Demon — his Elle-Fanning-in-LA horror movie — will be premiering at Cannes, we have a trailer. The tone is somewhere between Lynchian and The Canyons. This is one of five (!) Amazon Studios projects showing at Cannes this year.
by Filmmaker Staff on Apr 14, 2016