The Oscars have released their shortlist of the 15 documentary features eligible for the Academy Award that have advanced to the next stage of consideration; the final five will be announced along with all other nominations on January 15. The titles and directors below, with links to our previous coverage as applicable: Art and Craft (Sam Cullman, Jennifer Grausman, Mark Becker) — click here to read a guest post from the directors about completing their film’s score. The Case Against 8 (Benjamin Cotner, Ryan White) — click here to read the directors’ pre-Sundance statement about their film. Citizen Koch (Carl […]
by Vadim Rizov on Dec 2, 2014When Jesse Moss headed to North Dakota to make The Overnighters, it was truly a one-man endeavor. He took no crew with him. He was on his way to meet Pastor Jay Reinke, who had been giving shelter to the many men who uprooted themselves and made their way to Williston, N. D., in hopes of finding work in the town’s booming oil industry. With so many desperate souls appearing in Williston, resources to feed and house them were quickly drying up. Soon, the offices, floor space and pews of Reinke’s church were filled with itinerant workers, and town residents […]
by Alix Lambert on Oct 20, 2014I was flat out floored when I saw The Overnighters a few months back. It’s a documentary that unravels with the jagged edges of a thriller, while managing to be both an individual character study and comprehensive portrait of blue collar middle America and the nation’s economic and environmental crises. Still, it is somewhat unsurprising that many critics are calling out the film’s so-called manipulative treatment of its subjects, in a manner not unlike The Act of Killing‘s dissenters. I’d recommend seeing it for yourself and coming to your own conclusions when it opens on October 10. In the meantime, there’s the first trailer for […]
by Sarah Salovaara on Aug 28, 2014Generally speaking, the documentary competitions sections of major market film festivals are not places to go and find uplift. Wanna feel good in, say, the James Brown sense of the phrase? The Premieres or Spotlight sections at a festival such as Sundance are usually better bets, programs that tend to provide, with some notable exceptions, a bevy of of biopics, inspiring tales and quirky comedies packaged to appeal to vain movie stars and whatever audience still remains for mid-to-lowbrow, adult-centered specialty films. Any world where the people are all as attractive as, say, Keira Knightley, Chloë Grace Moretz and Mark […]
by Brandon Harris on Jan 17, 2014Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? There were times […]
by Filmmaker Staff on Jan 16, 2014