The Pod Generation

“The Cinema Gods Smiled Upon Us”: DP Andrij Parekh on The Pod Generation

In the not-so-far-flung future, a New York Couple (played by Emilia Clarke and Chiwetel Ejiofor) manage to snag a spot at the coveted Womb Center, which offers conveniently detachable vessels that foster fetuses without a human toll. This is the premise of Sophie Barthes’s latest film, The Pod Generation, a meditation on the rampant commodification of natural processes in our tech-obsessed culture. Cinematographer Andrij Parekh—Barthes’s husband and long-time collaborator—delves into the specifics of shooting the film, including his painstaking efforts to utilize as much natural light as possible. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and […]
by Filmmaker Staff on Jan 20, 2023
“With This Film, It Came Full Circle”: Editor Ron Patane on The Pod Generation

In The Pod Generation, the third feature film from French-American director Sophie Barthes, the process of pregnancy and birth has been offloaded from human bodies, relegated to artificial pods that produce fetuses. New York-based couple Rachel and Alvy (Emilia Clarke and Chiwetel Ejiofor) are excited to learn that they’ve been selected to attend the ultra-exclusive Womb Center, where these quasi-artificial offspring are conceived. However, even within the confines of this futuristic world, technologies of convenience must be questioned and contended with. Editor Ron Patane discusses his initial excitement at the prospect of working on the film, aspects of The Pod […]
by Filmmaker Staff on Jan 20, 2023
“I Had to Start From Scratch and Find the Financing in Europe” | Sophie Barthes, The Pod Generation

Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? Well, the pandemic! We were supposed to shoot this film in New York in July 2019. The pandemic made this impossible. I tried to set up the film in Australia for a while, but that didn’t work out. Finally, I had to start from scratch and find the financing in Europe—and shoot New York in Europe! We brought a New […]
by Filmmaker Staff on Jan 20, 2023

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