As a young woman, Tanya Seghatchian remembers laughing, crying and suffocating through Jane Campion’s early work, a cinematic compass she had internalized by the time she began her first job for the BBC—researching a two-part TV documentary about John Ford, pioneer of the American western. Over the years, Seghatchian’s trajectory expanded across genres and scales, from coproducing the first two Harry Potter films and executive producing more than 20 episodes of The Crown to producing Pawel Pawlikowski’s My Summer of Love and Cold War, the latter of which was nominated for three Academy Awards, including Best Foreign Language Film, in […]
by Taylor Hess on Jan 18, 2022Wailing French horns, recorded in the vastness of an Oxford cathedral; the mechanized sputtering of a player piano; the anxious propulsion of an ascending and descending cello, defamiliarized by being plucked like a banjo—these are some of the seemingly counterintuitive approaches composer Jonny Greenwood took to scoring Jane Campion’s brooding and suspenseful Western, The Power of the Dog. But just as Campion’s film, set in the early 20th century, tacks away from genre signifiers to tell an unexpectedly intimate tale of fraternal rivalry and stifled desire, so too does Greenwood’s score subvert the expectations of a “big sky” Western soundtrack […]
by Scott Macaulay on Jan 18, 2022In The Power of the Dog, a Montana rancher (Benedict Cumberbatch) who compensates for his repressed desires with hypermasculine cruelty has his isolated domain punctured by the arrival of his brother’s new wife (Kirsten Dunst) and her son (Kodi Smit-McPhee). Based on Thomas Savage’s 1920s-set novel, the film is director Jane Campion’s first feature in 12 years. As a condition of shooting Campion’s welcome return, cinematographer Ari Wegner committed to a full year of prep with the director. They spent weeks on location on the remote South Island of New Zealand, getting to know the light during the season in […]
by Matt Mulcahey on Dec 21, 2021