As a teenager in the U.K., I grew up reading the reviews of film critic Mark Kermode, whose smart and opinionated engagement with contemporary cinema rapidly won him a following and led to him becoming a familiar presence on TV and radio arts programs. Kermode is now one of the most passionate and prominent voices in (populist) film criticism — his slot on Simon Mayo’s BBC Five Live radio show has been a very successful podcast on iTunes for some years — and he has used his position as a figure of influence to champion films and directors that his […]
by Nick Dawson on May 22, 2012New Directors/New Films is known for bringing some of the freshest, boldest films to light, and not necessarily just for New York audiences. Arthouse theaters around the country often make selections from this well-regarded festival’s programming. The relatively high-brow co-presentation of the The Museum of Modern Art and the The Film Society of Lincoln Center is not, however, generally considered a place to discover new genre film, despite its reputation for supporting ballsy young upstarts. Yet perhaps the increasing cultural and cinematic significance of sufficiently well-made genre films is now keeping them from being overlooked by the festival that saves […]
by Farihah Zaman on Mar 23, 2012