Judging from the slick production values, the leading name actor, the eye-catching poster art, and the stock horror trailer, one might glean the false impression that The Rambler, Calvin Reeder’s sophomore film, might be a more commercial affair than his micro-budget 16mm debut, The Oregonian. But make no mistake, though The Rambler finds Reeder painting with a larger canvas, the film is just as bold, hallucinatory and unrepentantly experimental as any of his previous work. Based off the 2008 short of the same name, The Rambler follows a taciturn guitar-slinger (Dermot Mulroney, taking the role on from Reeder who played […]
by Jane Schoenbrun on Jun 6, 2013I sadly missed Calvin Reeder’s The Rambler when it played at Sundance this January, but the film is having a theatrical release starting June 7 (at the reRun Theater!) so I will be checking it out very soon. This first trailer for the film certainly has whetted my appetite even more, and confirms just how crazy and out there Reeder’s movie really is.
by Nick Dawson on May 17, 2013Over the past half-decade, Calvin Reeder has carved out a filmmaking niche all his own. His debut feature, The Oregonian (which premiered at Sundance two years ago), as well as his much-praised early short films, are a strange mix of psychological horror, high-minded surrealism, camp, and a soundtrack and filmic texture that hint at both nostalgia and discomfort. His second feature, The Rambler, is an adaptation of his 2008 short film of the same name, and follows a man (Dermot Mulroney) recently released from jail who embarks on a journey to reconnect with his long-lost brother. It premieres today in […]
by Jane Schoenbrun on Jan 21, 2013[PREMIERE SCREENING: Monday, Jan. 21, 11:45pm — Library Center Theatre, Park City] I was really lucky and didn’t have to sacrifice too much creatively at all. However, for the first time in my career I was unable to shoot film! It was also the first time I found myself with enough money to have a real crew and pay actors and feed people and blah blah blah, but somehow when it was all run through the budget there was just no room for processing and transfer. I’m still a little baffled by this. I went ahead and shot on the […]
by Filmmaker Staff on Jan 20, 2013