Now entering its 52nd year, the New York Film Festival tends to benefit and suffer from its fixed position as last stop on the fall festival circuit. The obvious pro would be that the discerning selection committee, headed up by Kent Jones, is allowed to cherry pick whatever they deem to be the best of the year; the con, at least for those keeping up with film criticism, is that the majority of these titles arrive pre-packaged with their own neat and tidy media narratives. (A year later, I’m still overhearing men debating the virtues of Blue Is The Warmest Color’s sex scenes.) As such, it’s nearly […]
by Sarah Salovaara on Sep 26, 2014The expansive New York Film Festival is no longer the greatest-hits affair of three decades back when it was built around 20-25 titles, a majority of which were what had been on display at the previous Cannes. The arrangement was a gift and a curse: manageable, for both journalists and completists, but limited. I remember what a production it was when the fest dared to add a lowbrow Hong Kong movie by one Jackie Chan. Now there are lots and lots of strands, which cover a variety of genres and niche audiences — followers of the avant-garde and new technologies, […]
by Howard Feinstein on Sep 26, 2014Noa Regev, the new director of the Jerusalem International Film Festival, had a difficult task for her first edition. Walking a fine line between continuing with the film screenings while acknowledging “the situation,” as it is called here, wasn’t easy but she handled it with grace and intelligence. “The situation”: Israel is bombing Gaza to smithereens while sirens wail over Israel, warning of Hamas rocket fire. The vast majority of the rockets cause little to no damage; the same, however, cannot be said of the Israeli bombs. So, with this as a background, many of the films showing at the […]
by Nina Menkes on Jul 28, 2014