One of the evergreen questions of filmmaking is: Can cinema make a difference? Usually, the issue is raised in connection with specific movies, such as those championing change, including SeaWorld-skewering doc Blackfish, or better husbandry of the planet. Take one step back, though, and there’s another, perhaps more vital way that cinema can make a difference — by bringing a community together in shared experience and cause. This latter force for good is firmly in evidence at Greece’s Evia Film Project, which has just wrapped its third edition on the island nestled near the mainland a couple of hours from […]
by Amber Wilkinson on Jul 11, 2024Thessaloniki International Film Festival By Ray Pride What everyone in Greece has known since 2008 is — well, no one knows. In late December, the eurozone lenders again withdrew short-term relief measures for the demolished Greek economy, partially prompted by a one-time relief payment to impoverished pensioners for Christmas. A local observer said the current goal in Greek politics is to see “who can be less hated than all the others. Trust in political parties is rock bottom.” Greece is still in crisis, still reeling and contracting, although there are hopeful signs at street level, in cafes and tavernas, in this centuries-old, […]
by Filmmaker Staff on Jan 18, 2017Sundance SCOTT MACAULAY Check it out: the two top prize winners at Sundance this year, Alfonso Gomez-Rejon’s Me and Earl and the Dying Girl, and Crystal Moselle’s The Wolfpack, both feature as central elements teenagers who stage and film their own versions of classic movies. There’s even overlap between the two films, although Moselle’s Manhattan shut-ins incline more towards Tarantino and Freddy Krueger, while Gomez-Rejon’s teen Pittsburgh auteurs shirk the Romero roots of their hometown for deep dives into the Criterion Collection. For film lovers of a certain age, both Me and Earl and the Dying Girl and The Wolfpack […]
by Filmmaker Staff on Apr 28, 2015I’m covering the Thessaloniki International Film Festival for Filmmaker right now, and some images from the March documentary event seem prescient in the light of the hour-by-hour unfolding of events in Greece, where the fall of a government could affect all of Europe, the world economy, and by extension, filmmaking everywhere. Here are some of my photos. Thessaloniki is a palimpsest, a city written upon other cities, incarnation atop incarnation. The history of this far northern Greek city since first dredged from the sea by Alexander the Great has been one of fall and rise, of fire and […]
by Ray Pride on Nov 9, 2011