The trailer for this year’s Third Horizon Film Festival—the third Third Horizon, as time would have it—was beautiful, because the films comprising it are beautiful: wide-eyed children, skin aglow with flames, the massive, lime-green expanse of sugarcane fields, a sea coursing like blood. The preview’s song begins with a dissonant, bell-like din, stretched like sinew over the rest of the track, which moves a lot like, actually, waves: steel drums clanging like a ticking clock; keys that progress upward, then down, till the whole song heads somewhere melancholic, toward a wisp of its former self. Third Horizon Film Festival is […]
by Monica Uszerowicz on Oct 8, 2018I read a book on architecture and design in the subtropics, once, a long time ago, that described the region as inherently cozy. Palm trees and big-leafed plants, it said, are made for hiding; enough of them, bundled together, will look like home. Tiquan, the thirteen-year-old narrator of cinematographer Shabier Kirchner’s directorial debut, Dadli, has places to hide, the way teenagers need to. “I go far in the country,” he says. “Hunt, get high — nobody troubles me.” Dadli, a brief and searing documentary portrait of Antigua, where Kirchner grew up, is as short as Tiquan is young, but it […]
by Monica Uszerowicz on Sep 27, 2018Birmingham, tucked right in the middle of Alabama, is easily the biggest city in “the heart of Dixie”; its 1.1 million-person metropolitan area dwarfs the populations of Huntsville and Mobile, Montgomery and Tuscaloosa. The central business district, like that of many American cities that haven’t gentrified after white flight, can feel eerily vacant on the weekends or at night. But during the Sidewalk Film Festival, whose 18th edition was held on the final weekend of August, the center of its modest downtown contains many wonders. Sidewalk knows how to throw a party; in front of the historic Alabama theater, the street is […]
by Brandon Harris on Oct 20, 2016