tom kalin
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“When the Design is Really Part of the Whole of a Film, the Film is Well Designed”: Production Designer Thérèse DePrez
The following profile of production designer Thérèse DePrez was written by producer Ted Hope for Filmmaker‘s Spring, 1994 issue, and is being rerun on the sad occasion of DePrez’s passing this week in New York. After the standard art school stint, and the pay-your dues PA/grip/electric rigmarole, Thérèse DePrez nabbed her first designer gig on Tony Jacobs’s low-budget consumer/horror send-up, The Refrigerator, which sent her further down the blood-spewed path to art direct three straight-to-video horror pics. The creepy crawlers allowed DePrez to hone the “specialty prop” and set design skills she would later call on for Tom Kalin’s Swoon, […]
by Ted Hope on Dec 21, 2017 -
Silver Anniversary: The IFP Gotham Awards at 25
The IFP Gotham Awards celebrate their 25th anniversary this November with a ceremony at Cipriani Wall Street. Along with awards going to the top independent films of the year, the Gothams will present Tribute Awards to Robert Redford, Helen Mirren, Todd Haynes and Steve Golin. Here, Peter Bowen culls the archives of IFP, Filmmaker’s publisher and parent organization, to find 25 memorable moments from the Gotham’s history of celebrating New York and independent filmmaking. 1991 The Cost of Film In 1991, IFP executive director Catherine Tait stood before a seated crowd of some 400 people at Roseland to explain what […]
by Peter Bowen on Oct 28, 2015 -
JAMES BENNETT, 1950 – 2012
Composer James Bennett, who brought musical wit and a lyrical touch to his work in film and theater, died in New York this week of a heart attack. He was classically trained on piano and later was a member of the BMI Lehman Engel Musical Theater Workshop, an innovative New York City program known for training composers, lyricists and librettists. His work in theater includes collaborations with Charles Horne on the scores for the Off-Broadway shows Eva Braun and Dogs. Though Jim composed music for only two feature films — Todd Haynes’ Poison and my film Swoon — he brought […]
by Tom Kalin on Jun 8, 2012 -
“SAVAGE GRACE” director, Tom Kalin
You can’t always get what you want, especially shooting a movie. I’d have loved 10 percent more of every resource — what director would say no to that? But since we shot entirely on location in and around Barcelona, I discovered unknown 10 percents along the way. I learned the standard shooting day in Spain is 10 percent shorter than what I knew and that six-day weeks are rare. (I also learned some new things about moving fast while looking good from my superb Spanish crew.) I wish I had at least 10 percent more facility with language since nearly […]
by Jason Guerrasio on Jan 14, 2008
