The following article was originally published in Filmmaker‘s Fall, 2020 print edition. We’re drowning in entertainment. Dozens of streamers, from mainstream catnip like Netflix and Disney+ to niche platforms like the Criterion Channel, each offer hundreds of feature films, limited series and TV shows. National theater chains like AMC and arthouse cinemas like the Alamo Drafthouse—at least before and hopefully after the pandemic—serve up fresh options every week on more than 40,000 screens. And legacy networks on basic cable, from NBC to TBS, continue to deliver a firehose of prerecorded content and live broadcasts every day. How to choose? Simple: […]
by Stephen Garrett on Jan 14, 2021… even Elton John music, is so much better than the formulaic trailer cutting that is rampant these days. You know, the fast music, cheesey step-zooms that aren’t in the actual movie, weird whooshing sound effects on the edits, even for dramatic films, switch to slow soulful music half way kind of thing?. This clip for Cameron Crowe’s Elizabethtown, linked to first on Ain’t It Cool News, is a much better promo than what will probably come later… Check it out.
by Scott Macaulay on Jun 23, 2005