Mary Jordan’s Jack Smith and the Destruction of Atlantis, which premiered Wednesday night at the Tribeca Film Festival, is a real triumph — a great doc on an artist that manages to encapsulate the spirit and values of its subject while situating his work historically and testifying to his influence on the generations that followed him. Jack Smith was an artist, photographer, filmmaker and performance artist who achieved a blast of notoriety in the early ’60s when his experimental film Flaming Creatures was dubbed obscene and banned in various states and countries. But as Jordan details in her film, Smith […]
by Scott Macaulay on Apr 27, 2006There are a lot of screenplay contests and development programs out there, but the Sloan/Tribeca Screenplay Program is one of the more interesting. In addition to a sizable development grant, the program provides mentorship to screenwriters and writer/producers grappling with science and technology themes in their work. An advisory panel of writers and scientists offer a year’s worth of feedback and input to, says the press release, “scripts that have a scientific or technological theme and story line or have a leading character who is a scientist, engineer, or mathematician…. Screenwriters currently participating in the program are Shawn Lawrence Otto […]
by Scott Macaulay on Jan 14, 2006As we begin putting together our annual “25 New Faces” issue of Filmmaker, in which we identify and profile the filmmakers who we believe will the independent stars of tomorrow, we also check back on the successes of our past selections. So, when a press release from the Tribeca Film Festival arrived in my in-box this morning I noticed that of the three winners of the Tribeca All Access Award, two — Dennis Lee (a member of the company Kulture Machine) and Mario de la Vega (pictured) — were directors spotlighted in last summer’s issue. From the press release: “The […]
by Scott Macaulay on Apr 29, 2005Director Caveh Zahedi talks with braintrustdv.com about his latest feature I Am A Sex Addict, which screens next week at the Tribeca Film Festival: “The film is a portrait of a sex addict, and the women are seen through his eyes. “The film never pretends that what we are seeing is the truth about these women. If anything, it implies just the opposite. What’s clear in the film is that he is unable to see them clearly and projects his own needs onto them. We, as viewers, can see that his view of them is entirely delusional. In this sense, […]
by Jason Guerrasio on Apr 15, 2005