Vancouver is the third-biggest filmmaking city in North America, and yet it’s always a stand-in for somewhere else: New York, Shanghai and San Francisco are all possibilities. What does it mean to be “ubiquitous and invisible” at the same time? In his latest video essay, Tony Zhou examines the many tricks used to disguise the city (from planting USA Today newspaper stands everywhere to making sure the camera looks down outside, lest it accidentally capture mountains that don’t belong to the city), then issues a stirring call for Vancouver to, for once, play itself.
by Vadim Rizov on Sep 15, 2015My fifth year in a row of attending the Vancouver International Film Festival in my hometown has been unique thus far—I’m at the precise halfway point of the 16-day event as I write this—in that it’s the only time that I’ve already caught many of the films playing thanks to my trip to Locarno in August. This has afforded me the freedom to venture beyond the “festival-of-festivals” programming of obligatory Cannes leftovers and such, to explore, among other things, the Dragons & Tigers section for which VIFF is renowned. For those that don’t know, Dragons & Tigers is a long-running […]
by Adam Cook on Oct 5, 2012