Beating back chilly, sub-normal temperatures, the season finale of True Detective and the myriad distractions of its surrounding program — referencing the new SXSports category, one independent film stalwart snarled to me, “Don’t try to tell me that sports are now creative” — SXSW Film put a capper on its 2014 edition by awarding Sarah-Violet Bliss & Charles Rogers’ Brooklyn beach comedy Fort Tilden and Margaret Brown’s Deepwater Horizon doc, The Great Invisible, its top prizes. Other awards included a “special jury award for courage in storytelling to the lead actor and screenwriter of Collin Schiffli’s Animals, David Dastmalchian. (The […]
by Scott Macaulay on Mar 12, 2014Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the Documentary Competition film, Vessel, Diana Whitten. Filmmaker: Why this movie? Why did you decide to do it? Whitten: At first I was compelled by the metaphor of a woman having to leave one realm of sovereignty to reclaim her own. I thought it was a rare and interesting example of the offshore being used not for crime […]
by Danielle Lurie on Mar 8, 2014