In the 19 years since 9/11, no American director has responded to and examined the causes, impact, and aftermath of that day as rigorously and repeatedly as Steven Spielberg, which is ironic given how rarely his films are actually set in the present day. With a couple notable exceptions, all of Spielberg’s films since 9/11 take place in either the future (Minority Report, Ready Player One) or the past (Munich, Lincoln, Bridge of Spies, etc.). Yet his work couldn’t be more relevant or engaged with contemporary social and political issues; every single one of Spielberg’s post-A.I. movies is as much […]
by Jim Hemphill on Jun 5, 2020Josh Friedman is blogging again following his cancer surgery. The screenwriter (War of the Worlds, The Black Dahlia) has a great post up in which describes waking up the day he’s to go the hospital and musing on his mortality. Friedman’s thoughts on the finite-ness of it all remind me of the end of The Sheltering Sky, Bertolucci’s adaptation of Paul Bowles’s great novel, and then he slips in this contemplation on the act of writing: At the end of the day, why do we write? We write to remember, we write to be remembered, we write to discover who […]
by Scott Macaulay on Mar 29, 2006