Waste Land

SEATTLE INTERNATIONAL FILM FESTIVAL WINNERS ANNOUNCED

The 36th Seattle International Film Festival end this weekend with audiences flocking to the 25 day fest as nearly 20% increase from last year. From May 20-June 13, the festival had shown 408 films. The awards ranged from the audience-selected Golden Space Needle Awards; the five juried Competition Awards, as well as the FIPRESCI Award for Best American Film. Borys Lankosz‘s The Reverse won the narrative Grand Jury Prizee , while Marwencol, directed by Jeff Malmberg, took home the doc Grand Jury Prize. The winners of the Jury and Audience Awards are below. SIFF 2010 Best New Director Grand Jury […]
by Filmmaker Staff on Jun 14, 2010
FULL FRAME FILM FESTIVAL |
By Ryan Koo

Now in its 13th year, the documentary-only Full Frame Film Festival (April 8-11) takes place in my hometown of Durham, North Carolina. The city of Durham is historically a tobacco town, moving slowly but steadily towards an uncertain future: while its tobacco warehouses are being converted to swank lofts, downtown office space is readily available with a seemingly high vacancy rate. The festival is very much a cultural cornerstone for the city, and as a result Full Frame means a lot to Durham. As of late, however, Durham also means a lot to Full Frame: while in previous years the […]
by Jason Guerrasio on Apr 20, 2010
“WASTE LAND” | director, Lucy Walker

[PREMIERE SCREENING: Sunday, Jan. 24, 3:00 pm — Holiday Village Cinema IV, Park City] In Star Trek there’s the “prime directive,” Starfleet’s code of noninterference. What do filmmakers abide by? Should documentaries interfere with their subjects’ lives? But how could they not? I don’t believe in objectivity. I observe the observer’s paradox every moment I’m filming. Your presence is changing everything; there’s no mistaking it. And when you’re climbing Everest with eight blind people (as I did for my last film Blindsight) there is no acceptable margin for mistakes. So now when the artist Vik Muniz and I were conceiving […]
by Jason Guerrasio on Jan 24, 2010

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